Showing posts with label National Exhibitions. Show all posts
Showing posts with label National Exhibitions. Show all posts

Sunday, August 5, 2012

My Thoughts on 20x20 cm Tapestry Open Challenge Exhibitions.

The 20x20cm format for tapestry weaving is great for weavers who have not been practicing tapestry technique for long. Although the size allows for enough detail to be incorporated into the design for experienced weavers, 20x20 is small enough for new tapestry artists to experiment with and complete a work within a manageable time frame. 

Simply creating a square that actually is 20x20 once it is woven, cut from the loom and finished off can be a major challenge in itself as a beginner. If it weren't for the good old 20x20, some of us may never have got as far into tapestry weaving as we have.

Original oil on board over wood-cut print.
This is the painting I based my first ever 20x20 on. 

                     The format leaves the warp set open for each weavers individual comfort, logistics and interpretation. 

                  Experienced weavers tend to submit finer work, beginners present more chunky simplistic pieces as a rule.


Generally these 20x20 exhibitions are open to all levels of weaving experience, and so always reflect this unique culture of sharing and trust in the concept as a professional and legitimate form of encouragement for new artists presenting their first few attempts at tapestry design. 

My first ever 20x20. Woven in 1997 for the
NZ Traveling Suitcase Exhibition. It was the 3rd
tapestry design I had attempted  to weave.
E.p.i. looks set at about 6 per inch.

As a new weaver there is pride and an enormous sense of achievement in seeing your experience of participation coming to fruition as art on the wall beside the work of tapestry artists you admire. It is an empowering and encouraging experience.



Thursday, June 30, 2011

Craft And Quilt Fair- Hamilton


Running from Thursday 08 Sep 2011 to Sunday 11 Sep 2011, this event is open to the public for a reasonably small entry fee, and has craft related sales as well as the Quilt Exhibition which features quilts from Australia and New Zealand. 




Running in conjunction with this is the Creative Fibre Experience exhibition. This is a good opportunity to see some of New Zealand's finest hand spun, woven, felted or fibre based exhibits in one large exhibiting arena.

It is also an opportunity to network and catch up with friends for the day.





Where:
Claudelands Events Centre
Cnr Heaphy Terrace & Brooklyn Road
Claudelands, Hamilton



Wednesday, February 3, 2010


And that's the great thing about the Travelling Suitcase, it's a wonderful opportunity for quite unknown weavers or students who have attended specific workshops to have their work up on the wall beside some of the countries better known tapestry weavers.

This is my first ever entry into The Travelling Suitcase Exhibition from around 1997/98.

The idea for the design was taken from a wood print I had previously been working on a few years earlier.

Monday, January 11, 2010

Work on the loom

Finished portrait
Work on loom





















This woven portrait "Evad" won the Creative Fibre - Gisler Architects Award for Excellence in Artistic Design, when it was exhibited at the Creative Fibre Experience 2009 in Hamilton last year.
Working with what appears to be a predominantly black and white colour palette is a challenge for all fibre artists, and this piece was no exception. It measures approximately 1.3 metres by 900 cm. and took about 90-100 hours to complete; from the first stage of photo adjustment for the weavable design through to its final readiness for hanging.




Portrait Weaving in the making... Note the original photo above the weaving. This is used by the weaver as constant point of cross referencing while the work is being woven on the loom.

Tapestry Weavings By Stephenie Collin









WELCOME TO MY BLOG....






I hope you find Warped Art & Design both interesting and inspiring, and that it will encourage anyone working with fibre to investigate and experiment further within their chosen field.






The basic loom, which is my tool of trade, has remained technologically unchanged. This aspect appeals to me as I weave contemporary images on a machine of such simple and ancient construction.

And if the loom be silenced,
then needles, threads and fingers
have plenty more to say.











About Me

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Waiuku, Auckland, New Zealand
I am an artist, weaver, gardener, mother and grandmother, home food gatherer, political sceptic, modest future eater, and much much more.