Friday, August 12, 2016

Moth Dolls

Playing with doilies. Not as easy as it seems. Often when I critically assess the success or otherwise of recycling them in a work, I am often disappointed with the results. 
I think it is because in my mind, the original use of these often very beautiful hand-crocheted works, is what I think of first. As soon as I recognise them out of context, I immediately visualise them on a dresser or table, despite any new lease of life they are given.

Here I have tried to create pieces where the doilies are so secondary to the end result, that their new use in the piece is overshadowed. The possibility of their original function is only noticed after the initial response to the work has been accepted.

In this case I have tried to detract from the fact that I have used these ready-made components. Hopefully the individual character of each doll will dominate the viewers interaction. Cute and somewhat disturbing to the eye as a whole, it is only after an initial reaction, that the whole gives over to the different composite parts that make the doll entire. 
These have proven to be a quirky distraction from making other more substantial works. I love them.

To see more of my work visit Warped Art & design on Facebook.

Tapestry Weavings By Stephenie Collin


I hope you find Warped Art & Design both interesting and inspiring, and that it will encourage anyone working with fibre to investigate and experiment further within their chosen field.

The basic loom, which is my tool of trade, has remained technologically unchanged. This aspect appeals to me as I weave contemporary images on a machine of such simple and ancient construction.

And if the loom be silenced,
then needles, threads and fingers
have plenty more to say.

About Me

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Waiuku, Auckland, New Zealand
I am an artist, weaver, gardener, mother and grandmother, home food gatherer, political sceptic, modest future eater, and much much more.