Above is a cartoon I have documented as it is being woven in the photos below. The original painting has been adjusted in Photoshop to produce a workable cartoon. This process helps to clarify and select clear boundaries within the painting. By simplifying the original painting with Photoshop or a similar program I was able to create an image that still retained the integrity of the original painting, while at the same time creating a weavable cartoon which better suited the technical restraints of the low warp count I was working on.
Note that in this instance the weaving has well and truly deviated from the exactness of the detail, especialy in the dogs main body area. There are 3 reasons for this. The first is that the warp count was too low (there should have been more vertical threads). The second is because the size of the weaving space is too small (it would need to be a much bigger weaving to allow for the detail to be included). And thirdly, it was a play piece of my own, which enabled me to have the freedom of extreme artistic license. It now belongs to Su anyway, who lives near the dingo isle of Fraser, and who also happens to have been born in the year of the Dog.
THE MAIN BODY AREA OF THE DOG HAS BEEN WOVEN USING HAND-SPUN DOG HAIR. OTHER YARNS USED ARE RAYON, WOOL, COTTON AND SILK.