|On The Edge 48x38cm|
This image is the work of textile artist Freda Brierley whose work I saw in an exhibition with Aillie Snow at NorthArt Gallery on the North Shore in 2002. I found her art a wonderful inspiration of subtle and somewhat dark images, and recognized it as a possible medium I might one day want to explore. I have played around with sewing images onto stiffened organza with reasonable success in the past.
The need for me to experiment further with machine and hand embroidery has now arisen again because of illness. As my hands have limited movement at the moment I am being very selective about how I spend my time on the loom, and machine embroidery gives me the opportunity to make pictorial works off-loom.
I have an exhibition of these new works as well as a retrospective selection of older drawings and tapestry weavings that will be on show at the Franklin Steel Gallery, in the small Community Gallery space. You are invited to join me for morning tea on Saturday 11th June, 10.30am, where I will be discussing the work on display, share where I glean my inspiration for my art, and talk about the technical side of producing my images.
|Five small framed works measure approx. 6x6cm|
I bought these five small framed Freda Brierley works which I selected from about 30, possibly more (if my memory serves me well) which she was selling at the time her exhibition was running. I am so very pleased that I bit the bullet and did.
Often it is these smaller more affordable works that give you a very real and tangible connection with the artist. Although these are usually not as complicated or meaningful as larger pieces, they are still enticing and charming to have if you are a collector of fbre art, and purchasing these always helps the artist re-coup some of the expense involved in putting on an exhibition. It is this mutual benefit of inter-play between the artist and the viewer that really makes an exhibition successful and enduring, long after the exhibits have left the gallery.